J.
O’Neal
October 22, 2007
Literature Humanities, Fall 2007
Essay Assignment #2
Passage selection due: Nov 7, 2007
in-class.
First Draft Due: Nov 9, 2007 by
11:59pm via email.
Final Draft Due: Nov 19, 2007 by
1159pm via email.
Length: 1000-1200 words
Prompt
For this assignment, please select two passages, from different texts, and
discuss them together. I use the vague “discuss” here purposefully: you might
employ any number of analytical techniques in your essay, but the goal is to
connect elements of different texts.
On November 7, I will ask you to bring
hard-copies of your selections to class.
Guidelines
1. Please limit yourself to two
main passages. You of course might need to bring in bits from the
larger
work, but please do so strategically.
2. I encourage you to use the passage from your first essay as
one of your selections here. This is not
a requirement, since you well may be have exhausted your interested in this
passage, but you’ve already done some serious investigation of it and this can
only make the present assignment more interesting.
3. I recommend passages of between 100-200 words. If the
passages are much shorter, then you may have difficulty generating ideas. If
they are much longer, then it will be challenging to stay focused on the
details of the passage.
Suggestions
1. Again, I’m not looking for you to “prove” something about
these texts. Instead, think of a
problem your essay might address or a question it could help answer.
2. I, for absolute clarity, do not want you to include a
thesis-like sentence in your introduction. Or anywhere near it.
3. You probably will want to avoid selecting passages that are
too similar. In general, noting similarity is the most basic of analytical
observations and therefore can be difficult to turn into creative thinking.
Usually noting similarity is most interesting in divergent sources and, since
our texts thus far all Ancient Greek, this is perhaps to be expected. This is
not to say that finding congruities will not be generative here, just remember
that you will need to suggest the implication of your observations, rather than
merely observe sameness (or difference for that matter).
4. Don’t limit yourself to connecting passages that seem to be
“about” the same thing. Do consider moments that might be formally similar,
occur at similar moment, or in related circumstances. Again, this initial
similarity will lead to discussing the meaning of the differences between the
two passages—in the end, it is usually the recognition and interpretation of
difference that yields the most useful critique.
5. Do talk to me about your ideas. We can sit down and think
together about the possibilities (or problems) of a potential selection. In
general, discussing the matter with me, and indeed any interested party, can be
enormously helpful.
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